Literary Origins, Cultural Relevance, And Documentary...

Rebecca Holland Visual Anthropology Dracula and Friends - Literary Origins, Cultural Relevance, and Documentary Techniques in the Cinematic Space of the American Vampire Film Beginning with a debut in American cinema in 1927 (1), the vampire has enjoyed a long and illustrious cinematic sojourn that has tracked a number of changes in his or her appearance, demeanor, personality, style of undeath, and relationship to humankind. At first an intimate invader, then a source of terror to be loathed and feared, the vampire has morphed into a rather sympathetic creature, romanticized and even envisioned as the ultimate lover in modern day film and literature. The cinematic methods with which the vampire has been depicted, and the light in which he has been cast are heavily influenced by the political and cultural climate of the age in which he has been incarnated (2). Moreover, those methods, when viewed through the anthropological lens, correlate with methods used to create the documentary space in visual anthropology. In this paper, I will be providing a brief overview of the vampire s debut in British literature in 1819, and the Orientalist influence that ultimately led to an inextricable link between the primitive exotic and the lord of vampires himself, Dracula, in Bram Stoker s 1897 novel. I will then look at the vampire s presence in American cinema, and discuss a few culturally relevant reasons for the vampire s journey from admired companion, to fearedShow MoreRelatedMass Communication5882 Words   |  24 PagesThe academic mass communication discipline historically differs from media studies and communication studies programs with roots in departments of theatre, film or speech, and with more interest in qualitative, interpretive theory, critical or cultural approaches to communication study. 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